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The Weekly Ten

  • MAISI AND THE DISCO — “Madonna” is a glitter-covered love letter to the queen of pop
    October 9, 2026

    MAISI AND THE DISCO — “Madonna” is a glitter-covered love letter to the queen of pop

    THE WEEKLY TEN
  • PISS — “blocking a scene you can’t remember” is a slow burn that refuses to look away
    October 9, 2026

    PISS — “blocking a scene you can’t remember” is a slow burn that refuses to look away

    THE WEEKLY TEN
  • PARADE — “I Shot Him” fires the opening shot of a bold new chapter
    October 9, 2026

    PARADE — “I Shot Him” fires the opening shot of a bold new chapter

    THE WEEKLY TEN
  • EMMA OGIER — “Hands Tied” holds vulnerability in an open palm
    October 9, 2026

    EMMA OGIER — “Hands Tied” holds vulnerability in an open palm

    THE WEEKLY TEN
  • AMITURE MUSIC & ELIANA GLASS — “Idela” is post-rock as séance
    October 9, 2026

    AMITURE MUSIC & ELIANA GLASS — “Idela” is post-rock as séance

    THE WEEKLY TEN
  • HORIZON BEATS — “Come Find Me Again” is a farewell lit like a sunrise
    October 9, 2026

    HORIZON BEATS — “Come Find Me Again” is a farewell lit like a sunrise

    THE WEEKLY TEN
  • AMONG THE RESTLESS — “6 Years Of Madness” drives straight through the ache
    October 9, 2026

    AMONG THE RESTLESS — “6 Years Of Madness” drives straight through the ache

    THE WEEKLY TEN
  • BINA. & TKAY MAIDZA — “R U OK?” asks the question nobody wants to answer
    October 9, 2026

    BINA. & TKAY MAIDZA — “R U OK?” asks the question nobody wants to answer

    THE WEEKLY TEN

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